Newtek TriCaster Advanced Edition User Guide Instrukcja Użytkownika Strona 22
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Waveform and Vectorscope monitors help you calibrate your signal to ensure your output meets
broadcast standards and looks great.
External Multiview Workspaces offer many alternatives, including numerous multi-bridge layouts,
overlays and Event Clocks.
Monitor sources on both Live Desktop and Multiview are user-configurable, and include Media Player
clip timecode counters, and custom logo display.
2.6.7 VIDEO PROCESSING
Full 4:4:4:4 32-bit floating point internal processing of all video sources.
Proc Amps and White Balance controls for every source preserve pristine image and color fidelity.
2.6.8 THE SWITCHER
TriCaster’s powerful 24-channel (8-input models)) or 15-channel switcher with native support for popular
professional video routers puts countless video sources at your fingertips.
FIGURE 4
VIDEO LAYERS AND TRANSITIONS
The Transition section of TriCaster’s Live Desktop provides powerful tools for arranging and displaying the
numerous video and graphic layers contributing to TriCaster’s ultimate program output.
FIGURE 5
Freely hot-punch or transition between external sources (Cameras or Network 1 or 2), internal
sources (Media Players) and M/E effects.
Latch selected Switcher and M/E source rows together in color groups to synchronize switching
operations.
TriCaster 8000 provides 4 DSK (Downstream Key) channels for the Switcher and four independent
Key channels for each M/E provide scores of creative possibilities. (Other models have two DSK and
one M/E Key channel).
- CONTENTS 3
- ABOUT THIS MANUAL 15
- INTRODUCTION 17
- SECTION 2.4 STARTUP SCREEN 18
- SECTION 2.5 LIVE DESKTOP 18
- Monitoring 19
- Dashboard 19
- Live Control 19
- Tabbed Modules 19
- FIGURE 3 21
- VIDEO LAYERS AND TRANSITIONS 22
- DSK CHANNELS 23
- FIGURE 8 (TRICASTER 8000) 24
- IMPORT MEDIA 25
- FIGURE 9 26
- SETTING UP 29
- FIGURE 11 30
- UPDATES 31
- ENHANCED SUPPORT (PROTEK) 31
- FIGURE 12 – TRICASTER 8000 32
- FIGURE 13 - TRICASTER 860 32
- FIGURE 14 – TRICASTER 460 32
- FIGURE 15 – TRICASTER 410 33
- FIGURE 16 – TRICASTER MINI 33
- FIGURE 17 35
- SECTION 3.8 TALLY LIGHTS 38
- THE HOME PAGE 39
- THE SESSION PAGE 40
- THE LIVE DESKTOP 40
- FIGURE 24 42
- SECTION 3.12 CONFIGURE AUDIO 44
- FIGURE 27 45
- FIGURE 28 45
- FIGURE 29 45
- AUDIO HEADROOM 46
- SECTION 3.15 NETWORKING 47
- BASIC TRAINING 49
- FIGURE 33 50
- SECTION 4.2 VIDEO TRAINING 51
- PAR T II ( R EFERENCE) 53
- THE STARTUP SCREEN 55
- SECTION 5.2 THE HOME PAGE 57
- TEMPLATE 58
- CONTEXT MENU 59
- RESTORE SESSION BACKUP 60
- OPENING A SESSION 60
- ADMINISTRATOR MODE 60
- SYSTEM UTILITIES 61
- SETTINGS 62
- SHUTDOWN 63
- SECTION 5.3 THE SESSION PAGE 64
- FIGURE 48 65
- FIGURE 49 65
- FIGURE 50 66
- FIGURE 51 66
- CONFIGURE DATALINK KEYS 67
- BACKUP SESSION 67
- LIVE DESKTOP: OVERVIEW 69
- SECTION 6.3 CONTROL TYPES 70
- FIGURE 54 71
- FIGURE 55 72
- THE DASHBOARD 75
- SECTION 7.2 OPTIONS MENU 76
- SECTION 7.3 MACROS 77
- SECTION 7.4 WORKSPACES 77
- I/O CONFIGURATION 79
- PRIMARY OUTPUTS 80
- LPHA MATTE 82
- ENERAL NOTES 82
- TREAM AND NETWORK 82
- DISPLAY OUTPUTS 83
- REFERENCE TYPE 85
- FIGURE 65 86
- FIGURE 67 87
- UTO-DETECT (SDI) 87
- UPPORTED FORMATS 87
- FIGURE 69 (TRICASTER 8000) 90
- FIGURE 68 90
- FIGURE 70 91
- FIGURE 71 91
- FIGURE 72 92
- FIGURE 73 92
- AUTO COLOR 93
- MULTICAM 93
- LISTEN ONLY 93
- PROC AMP 93
- ADVANCED COLOR CONTROLS 94
- STATE CHANGE 96
- HOTSPOTS 97
- ADJUSTING TOLERANCE 97
- SECTION 8.3 NETWORK INPUTS 98
- FIGURE 84 99
- FIGURE 85 99
- FIGURE 83 99
- FIGURE 82 99
- FIGURE 86 100
- SECTION 9.1 SWITCHER ROWS 101
- TriCaster 8000 only 102
- • Program 102
- • Preview 102
- Program 102
- FIGURE 89 103
- CONFIGURING TRANSITIONS 104
- DSK POSITIONING 105
- POSITION 105
- ANIMATION STORE TRANSITIONS 105
- USE SOURCE TRACKER 106
- BORDERS 107
- DSK TRANSPARENCY 108
- BACKGROUND TRANSITION 109
- TRANSITION DELEGATES 109
- TAKE AND AUTO 110
- SECTION 9.5 EFFECT VIEW 111
- SECTION 9.6 UNDO/REDO 112
- SECTION 9.7 SWITCHER MEMORY 113
- MONITORING YOUR VIDEO 115
- SECTION 10.2 SCOPES 116
- VIEWPORT OPTIONS 117
- FIGURE 115 118
- FIGURE 116 118
- SECTION 10.3 PROGRAM MONITOR 119
- M/E PREVIEW AND PROGRAM 120
- MEDIA PLAYERS & BUFFERS 121
- SECTION 11.2 SHARED FEATURES 122
- FILE OPERATIONS 123
- AUTOMATION 124
- PROPERTIES 124
- DISPLAY NAME 124
- COMMENT 125
- ALPHA CHANNEL SUPPORT 126
- 11.2.2 MEDIA BROWSER 126
- LOCATION LIST 126
- SESSION RECORDINGS AND GRABS 127
- FILE PANE 127
- FILE FILTERS 127
- FILE CONTEXT MENU 128
- 11.2.3 PLAYER CONTROLS 128
- TIME DISPLAY 128
- PLAYLIST MODE 128
- TRANSPORT CONTROLS 128
- AUTOPLAY 129
- FIGURE 134 130
- PREVIEWING MEM SLOTS 131
- FIGURE 136 132
- FIGURE 138 133
- FIGURE 139 133
- FIGURE 137 133
- STAND-IN IMAGES 134
- SECTION 11.4 BUFFERS 135
- FIGURE 144 136
- FIGURE 145 137
- FIGURE 146 137
- FIGURE 147 138
- FIGURE 148 138
- FIGURE 149 140
- PTZ CONTROL 141
- FIGURE 153 142
- FIGURE 152 142
- CAMERA SETTINGS 143
- LIVEMATTE 145
- SECTION 13.2 MATTE 146
- SECTION 13.4 COMPOSITING 148
- SECTION 13.5 FINE TUNING 148
- MIX/EFFECT (M/E) TOOLS 151
- FIGURE 161 152
- FIGURE 162 152
- FIGURE 163 153
- FIGURE 164 153
- FIGURE 166 154
- FIGURE 165 154
- FIGURE 167 155
- UTILITIES 156
- FIGURE 172 157
- FIGURE 173 157
- FIGURE 174 157
- FIGURE 171 157
- PHOTOSHOP BLEND 158
- INPUT POSITION 159
- SHOTS AND ANIMATION 159
- EFFECT PRESET EDITOR 160
- THE T-BAR 160
- FIGURE 181 161
- FIGURE 183 161
- FIG. 182, TRICASTER 8000 161
- SECTION 14.3 KEY CHANNELS 162
- FIGURE 186 163
- SECTION 15.2 HEADPHONES 166
- GAIN A/B 167
- SECTION 15.5 COMMON CONTROLS 168
- AUDITIONING AN AUDIO SOURCE 169
- FIGURE 197 170
- RUN MACRO AT 171
- FOLLOW PROGRAM VIDEO 171
- FIGURE 202 172
- FIGURE 201 172
- BUSSES AND OUTPUTS 173
- SUB-MIXES AND ‘MIX MINUS’ 174
- EQUALIZER 175
- COMPRESSOR LIMITER 176
- THRESHOLD 176
- RELEASE 177
- NOISE GATE 177
- FIGURE 206 178
- FIGURE 207 178
- SECTION 15.9 MEM SLOT BINS 179
- NETWORK INPUTS 181
- FIGURE 209 182
- FIGURE 210 182
- FIGURE 212 183
- FIGURE 213 183
- FIGURE 211 183
- THE CONTROL PANEL 184
- DESTINATION 184
- RECORDING 184
- QUALITY (CONFIGURE) 184
- VIDEO SOURCE 185
- AUDIO SOURCE 186
- OPTIONS 186
- SEND/RECORD/STOP 186
- SECTION 16.2 AIRPLAY 187
- SECTION 16.4 3PLAY™ 188
- SECTION 16.5 TALKSHOW™ 188
- SECTION 16.6 NETWORK VIDEO 188
- FIGURE 224 189
- FIGURE 225 191
- FIGURE 226 191
- RECORDING MACROS 192
- SECTION 17.2 MANAGING MACROS 193
- SECTION 17.3 AUTOMATION 193
- SECTION 17.4 REMOTE CONTROL 193
- STREAM 195
- FIGURE 231 196
- FIGURE 232 196
- FIGURE 233 196
- SECTION 18.4 AUDIO LEVEL 198
- ON DEMAND HOSTING 199
- LIVE STREAMING 199
- BANDWIDTH CONSIDERATIONS 199
- PULL BY END USERS 200
- PUSH TO PROVIDER 201
- OTHER FACTORS 203
- TESTING WITH PING 204
- FIGURE 234 205
- FIGURE 235 205
- FIGURE 236 205
- PULL CONNECTION ISSUES 206
- FIGURE 237 207
- SPEED TESTS 208
- PUBLISH 209
- SECTION 19.3 PUBLISH BIN 210
- FIGURE 239 211
- FIGURE 240 211
- FIGURE 241 211
- FIGURE 243 212
- FIGURE 244 212
- FIGURE 242 212
- SECTION 19.4 PUBLISH QUEUE 213
- FIGURE 247 214
- FIGURE 246 214
- FIGURE 248 215
- RECORD AND GRAB 217
- BASE NAME 218
- SYNC FRAMES FOR NLE 218
- RECORDERS 219
- SAVE TO 220
- ENCODING 220
- ALTERNATE FORMATS 220
- AVI (SPEEDHQ) 221
- CLIP DURATION AND PLAY SPEED 222
- THE REPLAY PAD 222
- SECTION 20.2 GRAB 223
- AUTHORING TITLE PAGES 225
- CONTROL SURFACES 229
- FIGURE 261 231
- SWITCHER CONTROLS 232
- DSK, PROGRAM AND PREVIEW 232
- MAIN DSK DELEGATE 232
- DELEGATE 233
- TRANSITION BIN CONTROL 233
- & TRANS 234
- ERFORMING TRANSITIONS 234
- AIN T-BAR, TAKE AND AUTO 234
- OCAL TAKE & AUTO 234
- FIGURE 265 234
- INPUT ROWS 236
- M/E TRANSITION CONTROLS 236
- LIVESET SHOT 236
- DELEGATES 237
- JOYSTICK DELEGATES 237
- LIVESET ZOOM 237
- SHTL (SHUTTLE) 237
- POS/SCALE 238
- ROT (ROTATE) 238
- MONITORING 239
- MEDIA PLAYER > DELEGATE 239
- PREV/NEXT PRESET 239
- MARK IN/OUT 239
- TRANSPORT CONTROL 239
- MEDIA PLAYER OPTIONS 240
- Control Operation 242
- Description 242
- AirSend Command 242
- FIGURE 278 243
- FIGURE 279 244
- PROGRAM AND PREVIEW 245
- UTIL (UTILITY) ROW 246
- UTIL BUS DELEGATE 246
- TRANSITION DELEGATE 247
- M/E 247
- FADE & TRANS 248
- PERFORMING TRANSITIONS 248
- MAIN T-BAR, TAKE AND AUTO 248
- LOCAL TAKE/AUTO 249
- M/E DELEGATE 249
- FOLLOW PVW 249
- M/E OVERLAY TRANSITIONS 250
- KEY TRANSITION SETTINGS 250
- TAKE, AUTO AND KEY 250
- POSITIONER DELEGATE 251
- JOYSTICK MODES 252
- MEDIA PLAYER DELEGATE 254
- FIGURE 289 255
- FIGURE 291 257
- ALT AND SHIFT FUNCTIONS 259
- SHIFT FUNCTIONS 260
- SELECT AND RATE 260
- SECTION 22.6 TIMEWARP™ 261
- Qualifiers 262
- Record 262
- FIGURE 297 263
- FIGURE 298 263
- (MARK) IN 264
- FIGURE 302 266
- FIGURE 304 266
- FIGURE 303 266
- NOTES 267
- SECTION 22.7 AVID 268
- ARTIST MIX 268
- 22.7.4 PANEL LAYOUT 270
- POWER button (Figure 309) 271
- FIGURE 310 272
- FIGURE 311 272
- FIGURE 312 272
- MULTI-CHANNEL PAN CONTROL 273
- GAIN A AND B (MIC TRIM) 273
- FIGURE 317 274
- FIGURE 318 274
- FIGURE 316 274
- FIGURE 315 274
- FIGURE 320 275
- FIGURE 319 275
- FIGURE 321 276
- SECTION 22.8 MIDI CONTROL 277
- FIGURE 323 278
- FIGURE 324 278
- SECTION 22.9 GPI CONTROLLERS 279
- SENDING GPI COMMANDS 280
- A HOW DO I … (?) 281
- Quicktime® 282
- Flash® (F4V) 282
- A.1 CONNECTIONS 283
- COMPUTER MONITOR 284
- SUPPLEMENTARY QUESTIONS: 285
- VIDEO MONITORS/DEVICES 285
- SUPPLEMENTARY QUESTION: 286
- A.2 SESSIONS 291
- FIGURE 52 293
- A.3 LIVE PRODUCTION 295
- FIGURE 328 296
- FIGURE 329 296
- FIGURE 330 296
- FIGURE 331 298
- QUICKTIME® 300
- REMUXING CLIPS 301
- FLASH (F4V) 301
- A.4 FILES 303
- FIGURE 332 304
- A.7 MISCELLANEOUS 310
- B.1 TESTING, ONE TWO … 313
- B.2 IVGA™ AND PERFORMANCE 313
- B.3 IMAG AND LATENCY 313
- C VIDEO CALIBRATION 317
- WAVEFORM MONITOR 318
- VECTORSCOPE 319
- USING COLOR BARS 320
- FIGURE 339 321
- FIGURE 340 322
- C.4 FURTHER READING 323
- D KEYSTROKE SHORTCUTS 325
- D.3 RECORD, GRAB, AND STREAM 326
- D.4 TABS 326
- D.5 WORKSPACE 326
- D.6 MEDIA PLAYERS 326
- D.7 GENERAL 327
- E DIMENSIONS AND MOUNTING 329
- FIGURE 342 330
- FIGURE 343 331
- FIGURE 344 331
- FIGURE 345 332
- FIGURE 346 332
- FIGURE 347 333
- FIGURE 348 333
- Page 334
- F RELIABILITY TESTING 335
- CREDITS 341
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